These are also known as major-minor seventh chords because their structure is made up of a major triad and a minor seventh. However, the only time a symbol accompanies dominant chords is when they are dominant seventh chords. The lowercase letters can get confusing when it comes to letters like c, a, and f, so adding the m is usually preferred by musicians.įor example, the dominant chord in the key of D Major is A Major. Without the M, as we will see in the section on dominant chords, the chord will be assumed as dominant instead of major. However, when it comes to seventh chords, you must place a capital M next to the letter, for example, AM7. In addition to the previously mentioned letters, you may see an M or two on your music, which leads us into our next section: chord quality.įor example, if you see the letter A on a lead sheet, you can assume its an A Major chord. However, CB means that a C chord is sounding over (or on top of) a B (the note onlynot a chord). The first letter, C, is our primary chord, and therefore the tonic has switched from B to C. Now that we have two letters to look at, things can get a little confusing. Looking at the beginning of the piece, we see a B, which means that the tonic of that chord is a B. Lets look at the following song, Cant Help Falling in Love by Elvis Presley. These letters (with and without accidentals) represent all of the notes on the staff. The uppercase letters you will see in chord symbols are C, D, E, F, G, A, and B. Most sheet music contains notated melodies with chord symbols written above them, and were here to give you a rundown of what these symbols mean and how to use them. These symbols consist of letters, numbers, or symbols that indicate the root (or tonic) on which the chord should be built, as well the quality (major, minor, etc.) of the chord.
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